How does the media portray dating 9 year old dating site

His symbols are the arrow and torch, "because love wounds and inflames the heart." These attributes and their interpretation were established by late antiquity, as summarized by Isidore of Seville (d. Cupid is also sometimes depicted blindfolded and described as blind, not so much in the sense of sightless—since the sight of the beloved can be a spur to love—as blinkered and arbitrary.

As described by Shakespeare in A Midsummer Night's Dream (1590s): Love looks not with the eyes, but with the mind And therefore is winged Cupid painted blind.

Nor hath love's mind of any judgement taste; Wings and no eyes figure unheedy haste.

And therefore is love said to be a child Because in choice he is so oft beguiled.

A variation is found in The Kingis Quair, a 15th-century poem attributed to James I of Scotland, in which Cupid has three arrows: gold, for a gentle "smiting" that is easily cured; the more compelling silver; and steel, for a love-wound that never heals.

complaining that so small a creature shouldn't cause such painful wounds.

Trapped by Apollo's unwanted advances, Daphne prays to her father, the river god Peneus, who turns her into a laurel, the tree sacred to Apollo.

One interpretation of this allegory is that Neptune represents the soul's origin in the matter from which life was fashioned, with Cupid triumphing as the soul's desired destiny.Cupids are a frequent motif of both Roman art and later Western art of the classical tradition.In the 15th century, the iconography of Cupid starts to become indistinguishable from the putto.At the same time, the Eros who was pictured as a boy or slim youth was regarded as the child of a divine couple, the identity of whom varied by source.The influential Renaissance mythographer Natale Conti began his chapter on Cupid/Eros by declaring that the Greeks themselves were unsure about his parentage: Heaven and Earth, The Greek travel writer Pausanias, he notes, contradicts himself by saying at one point that Eros welcomed Aphrodite into the world, and at another that Eros was the son of Aphrodite and the youngest of the gods.

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The multiple Cupids frolicking in art are the decorative manifestation of these proliferating loves and desires.

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